While both belong to the recording head, and to run them we have to have the vocal cords stretched thin, They may even resonate at the same site, there is a difference between them is that while the head is voice activation of muscle thyroarytenoid (TA) and there adduction, in falsetto no.⁠

I know this sounds like Chinese jajja⁠😅⁠ is mandarín🉐🈲

Ok, see the TA is the muscle responsible for phonation while there is adduction and thus can sing from our chest voice to head voice our, with which we have connection between the two registros.⁠↗️⁠

But when we falsetto there is NO adduction with which our voice is fully air, no brightness nor the filo⁠.⁠🚫⁠

There singer who use a head voice “airy” to give an effect or style to your voice, but this airy voice, although very little, TA continues and there is still a small adduction on the ropes, so this is not falsetto.⁠
⁠Por that they can move from one airy voice to a chest voice because muscle TA is still involved and maintain aducción.⁠

When a person does falsetto and wants to access his chest register would be impossible because they have qualities diferentes.⁠

If you keep a high note with the note adduction you will endure for a while, whereas if that same note the beams WITHOUT adduction (Falsetto) air will run out quickly. Try it ⁠🧐⁠

Do you understand the difference?⁠🤓⁠

So, a first impression may look the same but the quality and color is fully diferente😉⁠

However, that does not mean you can not use the falsetto in a song as part of the style. A singer who has a balanced voice can play with these diferencias.⁠🌟⁠

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